May Today Be Better Than Good

1.

Mr. Fredericks prepared lovely strawberry ice creams, and had always greeted everyone by saying, “Mate!” It must have been a Kiwi thing. He had always bid goodbyes by saying, “May today be better than good.” He bid a final goodbye a little over twenty-four hours after All Souls Day, and it wasn’t at all a good day. No one saw it coming. He had felt a sudden sharp pain in his stomach early in the week, as though something inside had burst, and when it had become clear that something was seriously wrong, the mother of Mr. Fredericks’ gorgeous five-year-old boy Josh – Miss Dimaisip – took him to the hospital. Or wherever it was they attended to the sick in the provincial municipality of Matalam, Cotabato, where he lived. I have been to Mr. Fredericks’ house, early this year, a three-hour bus ride from Davao City past Kidapawan City, rural and simple and yet a place where unhappiness seemed not to exist (there are many such places in the southern Philippine island of Mindanao), and I played with Josh and had delicious Filipino lunch and admired their vegetable garden. In the front yard there was a wooden playhouse, and little Josh, who certainly takes after his cheerful father, peered through the small cracks and openings of his own abode to watch this stupid man from Manila gush, “Aw, how cute. Look at those hazel eyes.”

At the hospital the doctors operated on Mr. Fredericks. Cut him open. The next forty-eight hours saw a somber exchange of phone calls and messages between Miss Dimaisip and Evelyn, who was Mr. Fredericks’ business partner. Her last message read, “Please help me pray for Ian as he travels to the Great Beyond to meet his Creator.” Cause of death was renal failure. He was sixty-three.

2.

What a name, Pius. I know him because of his continued service at San Isidro Labrador Chapel, despite – you know – rumors. But it is his name which should perhaps explain why my most vivid memory of this middle-aged bachelor neighbor of ours is when he had attended my grandmother’s wake at Saint Peter’s in Quezon City. There was something innocent about it, even something holy. He’d brought his guitar, as well as those teenage boys and girls – Len Len, Jenny, Men Men, Rey Boy, among others – who’d otherwise have had nothing else to do but whistle the time away on street benches or place their fathers’ bets for the Santa Ana horse race. Led by Pius, and flanking the open casket of my father’s mother, they sang a chorus of church songs. During mass Pius sort of doubled as a lay minister, spreading cloth over a makeshift altar, assembling the chalice and ciborium and things at a makeshift tabernacle. After mass he left his guitar in a corner and stayed with us, cleaning crumbs from cookies eaten by those who’d come to offer their condolences, encouraging them to sign the memorial guest book, making sure everything was in its proper order. Pius.

Well, he died, too. He was forty-seven. Diabetes. Recently he’d been covering his neck with a makeshift scarf while walking around the neighborhood; he had this wound on the back of his head, from the nape downwards, this wound that wouldn’t heal and he wouldn’t show and which people who had nevertheless seen it described as being the size of a plate. “That’s impossible,” my thought went, when mother announced at the dinner table that Pius had died. “Are you kidding me? Maybe the size of a saucer. Not a dinner plate, I shouldn’t think. That’s horrible.”

3.

My mother’s mother remains at the hospital in Tuguegarao, the Cagayan province where my parents grew up and met each other. Lola Auring had fractured her pelvis at the height of super typhoon Pepeng and has since been under the constant watch of nurses, doctors, her children, her children’s children. It’s been a month now. At the hospital she suffered a stroke and, on another occasion, stopped breathing for one minute, provoking a panicked explosion of prayers and petitions from my mother. My sister Lourdes took pictures of Lola when she went there to visit, but I don't want to look at them.

Here in Manila, meanwhile, people are reeling still from the devastation left behind by Pepeng, Ondoy, Ramil, and Santi, these goddamned typhoons whose entrances we had watched on CNN or ANC. We had watched, that is, when power didn’t fail. When power fails, when the greater entities cite one reason or another for the loss of what would be rather impossible to live without, we can only scramble to find something to do, something that would put off ennui, something that would make us happily ignore a gloomy headline, the enveloping dark, the faltering flashlight, the sad news of death and dislocation. I, for one, and despite the circumstances, would resume reading a novel. I’d grab my guitar. These efforts perhaps are successful in the same consoling way that memories of life and light succeed in helping us accept death and darkness, disaster and powerlessness. It’s usually only to an extent; for a time that we will always look at as a long time, absence would be the looming presence. But we come to realize that the end of a story heralds the beginning of another, that the fading of one song frees us to sing a new one.

Weather Forecast

The schizophrenic madness of nine-o’clock: was it late or was it early? A coffee-break-long wait at wee hole-in-the-wall PenPen in Quezon City. On the walls – bright and yellow, plus other hearty kindergarten colors – these shiny posters of comfort food. Adobo flakes, crispy liempo, aligue pasta. At the service counter, a young man tickling his guitar, which laughed musically, or should I say chuckled? Chuckled acoustically. Outside the glass door, the quiet pleasant freshness of an October evening, and a walk with Evelyn through Tomas Morato’s beautifully shadowed side streets. (Streetlights come so sporadically this side of the avenue.) It was his birthday. Dinner had been had at Katre on Scout Lazcano; the theme was Mediterranean fusion; he had Navarin of lamb with couscous pilaf and I had spareribs with, among other things, star anise essence. He had just arrived from London but was leaving again the next day. “Happy birthday,” I had said, raising a glass, at the dinner table. “From now on, let’s start counting backwards, for the best way to celebrate is illogically.” Clink.

A superb feast, and the best part about it was that it was moveable. And so to PenPen we had walked to wait for my friend R, who’d gladly accepted an invite to join us for drinks elsewhere. R worked at a nearby office – a minute near, actually – and had assured us that he’d very soon call it a day, five minutes and I’m there, and will Evelyn be the kind host? Yes. “Thanks,” he had said in a text message. “You see, right now I have no cash on me.” He did have a pink shirt, in fabric perfect for summer evenings, but October was not summer. Faded cuffed jeans, too, and a pair of black leather boots, and in these he jumped out of the company car, sashaying across the street to shake Evelyn’s hand and mine. “You could have walked,” I said. “How are you?”

I will not bore you with a transcription of gushing pleasantries. The three of us marched four or five blocks to Scout Rallos Street and into Isla del something something (I forget what it was called), a bar which was, if I remember correctly, lit lazily by lanterns and had a bohemian Caribbean sort of feel and where one hunkered down on floor cushions to eat a little, drink a lot. We killed hours drinking a lot; once or twice R asked the waiter if he could please turn the trance music down; the night wore on, an increasing number of San Miguel caps littering the low table; clink clink clink; soon after I pasted my back on the wall – no thanks to such ergonomically bad seating – Evelyn picked up a cushion and put it on top of another and sat taller than everybody else. The conversations were just as skewed; they were about the recent typhoons, Mongolia, old British actors, Shakespeare, Hardy, pineapple and coffee plantations in Bukidnon, and Mad Men, among other things, and occasionally through the haze of cigarette smoke I saw R smile a tense smile, the kind that hid larger feelings. Or, possibly, grim agendas. It occurred to me – while getting lost in talks on what Flying Circus was – that I did not know this man, R, well enough; I only knew that he lived by jumping from one pension house or budget hotel to another (“…so they cannot trace my IP address...”) and that his previous line of work was political profiling; that he was reliably prone to karaoke and to nights of drinking out alone; that he had recently begun taking violin lessons in Kamuning Avenue, how esoteric that was, one was not aided by frets; and that he had written three books, one of which was for the Dominican Sisters of Regina Rosarii, it was entitled Abundance!, a copy of which was given to me with a message that read, “Migs, may the stories here convince you that healing is a gift for those who believe.” He had a good grasp of English, but I knew I did not like his choice of metaphors.

By the time we left Isla del something something – about two in the morning – my head was spinning. “We’ll walk you back to your office,” Evelyn told R, “and then we’re both going to pass out.” At Scout Castor back to where PenPen stood R turned to us and said, “You know what? I can take it from here. Look: go get that taxi.” He wished Evelyn a happy birthday and said goodbye.

(To be cont'd)

Dysentery, Ha!

NaNoWriMo. I wonder who comes up with such ridiculous things. And whoever it is that comes up with such ridiculous things, I wonder why it has to be November. “The National Novel Writing Month: Thirty days and nights of literary abandon!” As though I had been churning out my own crap without abandon. Not once, I hasten to say, a novel; but short stories. Of fecal quality. Six months a year I celebrate ShoStoWriMo. You get the drift.

It’s about this guy, this American guy, and this girl in Manila. She has a younger brother. I don’t know his name yet. He’s supposed to be a sort of chaperone. They’re walking along the dirty and unfriendly streets of Ermita. The three of them. After that? Who knows. That’s why they call it ‘abandon’; you’re not supposed to have certainty. It’s supposed to be very funny, but I am still dealing with this verisimilitude quandary, and the covering of holes in characterization, the prevention of dangling modifiers, and the subscription to hot trends in fiction today. We have got to be ‘current’, haven’t we, be modern and write with a swarming consciousness of the times and its signs. Oh my. To write about something as scorching as interracial relationships is quite new-fashioned, don’t you think? For what else should be the matter but race; race and love actually, race and love are the matter. You will, of course, deduce from this that we here in the Philippines have outgrown wearing foliage. Enough of folkloristics. Enough of catholic notions, and of Spaniards. Race and love: we’re onto something political here. How delightful should it be to readers – and publishers – yes, publishers – that they will soon have in their hands a month’s work of generously spirited crap rich with startling political insights on the color of one’s skin and the variations of one’s heart.

God, I write a lot of nonsense – by meaninglessness of effort and by sheer word count. Let’s focus on the ‘meaninglessness’ part. Too much affectation? I certainly won’t disagree. Too little experience? Maybe. Too much Hemingway? I daresay nothing good happens without reading Papa. Too irresolute? Several months ago – it was last April, I think – I was in Davao, a city in the southern Philippine island of Mindanao; I flew in to attend a writers workshop, most of which I eventually missed due to a nasty case of dysentery (is there any other kind?). It was there that I submitted my first entry to the Palanca Awards, and on the last day people could do it, too. I envisioned a podium. In the ballroom of a charmingly rococo hotel. Champagne. Bouts of only the most agreeable laughter with the fellows and writer chaps. My name on paper. A check payable to my name. My name on Wikipedia. Book deals even. The beginning of helpless brilliance and chronic success. Of course, let us not ignore the fact that the essay, which I had called “The Year of Other Things” (does that not sound so literarily stylish? In vogue? I stole it from a friend), was not at all worthy of being submitted, much less read. In fact, I would not even begin to think of publishing the fecal document here, on an online journal.

But you know what I did? I bought those requisite brown envelopes from the supply store in Victoria Plaza. Printed copies of the piece from Evelyn’s old laptop computer. Using wrong-sized paper. I had to use scissors and concentrate. Printed official entry forms and authorization forms from Evelyn’s old laptop computer. Again using wrong-sized paper. Again I had to use scissors and concentrate. By noon, I almost lost heart. What in perdition did they mean? “Notarize your entry.” What in perdition did they mean? And what a silly thing to be requiring of participants! Our language, I thought, will not be all the richer for this kind of paperwork. But go I did. Ran around the whole city, calling people I knew who knew attorneys. Well, of course I had to stop by a computer shop on Bolton Street and have the damned entries and forms scanned and sent in digital format. The incorruptible lady at the desk – who was about as helpful as a back pocket on a shirt – ignored my flirtatious glances and then my furious glances. She kept paying attention to those gamers! After three hundred years, I was out of the computer shop with my thumb drive. Walked, perspired, got roasted by the early afternoon sun in my search for law offices. It must have been one of those days that Davao was hotter than Manila. By four o’clock I almost lost heart. My thirst for champagne was not to be quenched after all. However. However! Stopping for a cigarette at San Pedro Street in front of the Davao City Hall, I saw a sign for a certain Tolentino Law Office. Babao Building. I went up two flights of stairs and met a secretary who told me to go up another flight of stairs. I went up another flight of stairs, whereupon an angel disguised as a lawyer officially notarized my crap for a fee of a hundred and fifty pesos. (Come to think of it, I still haven’t gotten round to thanking Mrs. Marie Dinah Tolentino-Fuentes.) I was delirious when I finally mailed the envelope to Manila.

Of course I didn’t win. I might have even placed last. As far as this writing thing is concerned, I can produce only nonsense. November, December, it doesn’t matter what month. But you know what? At least I can finally say I am serious about it. Rather.

Vagina

Nothing seems to be going right. The pictures on television say so. Super typhoon Parma – locally codenamed “Pepeng”, which also roughly translates to ‘vagina’ – was at least as vicious, if not more vicious, to the northern regions of the Philippines as the recent tropical storm Ketsana was to Manila. Dozens of live reports on the local news each day. Hundreds dead: the disaster council says a total of seven hundred and twelve from the back-to-back blows, but that’s only unofficially. Houses buried under water, or under mud. Billions of pesos lost; we Filipinos wonder, where shall our rice come from now? It’s just been horrible. My grandmother, Lola Auring, slipped and fell twice on a wet floor when Parma made its landfall in Cagayan. She fractured her pelvis. She was rushed to the hospital, where she then suffered a stroke. Mother and Aunt Josie went for the bladder-challenging twelve-hour bus ride to Tuguegarao, Cagayan to look after her. She came round two days into hospitalization, but mother has sent me messages devoid, uncharacteristically, of hope. “Your Lola keeps on singing what she’s seeing in her visions,” goes one of the reports. “If she’s not doing that she just stares at the ceiling – into space.”

Lola Auring doesn’t hear much anymore; she’s practically been deaf since last year. She does, however, hear what cannot usually be heard: for example, the songs of angels, or the voice of grandfather. What do you know! Mother says that, at the hospital, the nurses have had to sedate Lola, who, the last time she vacationed in Manila, looked well enough to not need any sedatives. We took to writing huge blocks of letters and words on a whiteboard then. We watched her read them, and we anticipated her reaction. Sometimes it made me feel silly – squiggling a chunky I LOVE YOU for an old woman who held a plastic tray into which she spat out phlegm – but most of the time it made me feel sad.

How much sadder, then, I am now – or we are now. Things have happened to Samoa, too, and to Indonesia and Vietnam and to other places which, thanks to a barrage of somber weather reports, I can now point at on a map. Awful things. The best of Filipino chauvinism, perfect for harrowing times – “I have had some before, but this is the ‘Pepeng’ that I definitely must refuse” –, makes me smile, but there is a disquieting feeling, a vague, eerie presentiment that all this is only the beginning, that after one funeral shall come another, that we ought not take lightly the caprice of nature, that even if others not from this country can now suddenly point at my parents’ hometown on a map, or at Dagupan where Uncle Fred’s fishpond once was, or at Baguio or La Union, quiet little towns and provinces and cities that ran smoothly enough on the faulty machinery of a third-world country, it won’t make a difference. We aren’t all the better for others’ geographical enlightenment, or for our own distracting puns. Lola certainly isn’t.

For most, so far, of October, I have stayed sheltered in a rented eighth-floor room in an apartment building, one with a sweeping view of Quezon City. Roofs, rusty billboards, limp telegraph wires, the chartreuse spires of an Iglesia ni Cristo, concrete monstrosities still under construction, the bulky blocks of suburbia: they seem to me, as I step out onto the balcony, all mine, all within my grasp; and yet they seem to me all wretched and ugly and grey. I came here to write, to read, to work, but in the mornings a powerful lethargy comes over me. Or a remarkable form of denial. No one wants to wake up to this – knowing the world isn’t fair, and that nothing at all is going right.

Uncorrected

Will you kindly get me a copy of Jonathan Franzen’s The Corrections? I’d be ever so glad. That’s a classic book; my friends tell me so. If you could just visit a bookshop while you’re there, ask the lady at the counter for the title, which, in case you forget it, I wrote on the back of a business card that you will find tucked in your wallet. I also wrote ‘horseradish’, which tastes very nice and which I have come to like almost as much as I do wasabi.

One thing I did not tell you: there’s a paperback copy of the Franzen at the impressive four-storey, energy-efficient, budget-breaking Fully Booked in highly societal Bonifacio High Street. We went there last August, and thus began my dilettantish search. On the first floor I found it, held it, opened and closed and reopened it, almost performed on it my fetishistic sniffing of the page; poor thing, I should have rescued it too and dug it out from the Fiction shelves, which was packed full with books crowded tightly together in alphabetical order and pressed hard one upon the other, each of them looking so very helpless and lonely. A most awful burial, since there wasn’t any room for breathing. I thought at the time, but you’re going back to London, I might as well send you on a fun assignment, which I hasten to remind you cannot be carried out online. (If I should watch Dr. Who and The West Wing with you, then so should you appreciate the curious, fanciful, uncertain, and, most important of all, deeply personal experience of wandering through bookstore aisles.) I also thought, while then contemplating a purchase, what the heck; waiting a few weeks will not matter much in terms of having an effect on my already direly outdated literary sensibilities, which – okay, I know this for a fact – bores you utterly and stupidly whenever I begin to talk about it.

You are none the less missed. I could not help it when, a few days ago, I replayed a video from that night when I introduced you to my friend Rain in a karaoke joint in Malate, and you sang “Delilah”. Lord Almighty. And such a firm grip on the microphone, too, as though you were the sole custodian of ancient, ready-to-be-bastardized music. I had laughed then, laughed and cheered, but I smiled – smiled true – while I was watching the footage, the reddish light and the fluid dark shadows of the room trembling according to the heady irregular movements of my hand, the audio sharp and loud, almost piercing, and your cradling – your rocking gently along to the song – suggestive of something milder and kinder. Forgive me: more than once I had barked, “How embarrassing!”; of course, it was in jest; it must have been the alcohol, it must have been the cozy, ethereal sight and scent of smoke coming out of the nostrils of the people in the bar, it must have been the knowledge, the desperation, the urgent joy of spending those beloved moments with someone who will be gone for awhile.

In the meantime, enjoy your stay there. You wouldn’t want to be here in Manila, not at this moment. Villages and barangays are still trying to recover from the wrath of tropical storm Ondoy, which left the streets flooded like you wouldn’t believe. Where there’s little flood left, lots of literal muckraking (not the Mitford kind). Gunshots at night in unsecured neighborhoods. Politicians are plastering their names on food packs. There’s looting among the homeless, too. The pictures are depressing, even apocalyptic; nothing feels normal. I thank the heavens for having spared my family from the indiscriminate disaster. Still, it’s like everyone has changed after this rather historic experience, and yet we – well, at least me – I have to go on with life as I know it, back to work, write for clients, earn, eat, read, sleep, constantly with a terrible new unease caused by the knowledge that carrying on such business is nothing close to heroic, and can be considered putridly apathetic in light of people I know spending hours packing canned goods or deploying their vehicles for relief operations or using personal funds to finance volunteer efforts, all jolted after the calamity by conscience and community. “Where I came from,” a volunteer campaign poster reads, “everyone’s a hero.” But I’d done very little to help, I am sorry to say. I had done very little, period, except for miss and love and demand and disappoint, and write this letter that asks, will you be kind enough to get me the Franzen.

Horseradish.

Ondoy: Across Manila and Into Our Stories

(To donate or volunteer, visit the Google page for Help for Ondoy Victims.)

Last Saturday, a tropical storm struck Metro Manila. Its name was Ketsana, locally known as Ondoy. Its effect was less cute – much. The morning of that day, I looked out at our garage, flooded over a foot high with rainwater. We were in darkness; there was no power. Candles were lit. Appliances were unplugged. The dogs – Brutus, Martin, and Nole – swam for their lives and climbed the wooden bench near the washing machine. Mitzie lay on a floor rug inside the house. While I prepared instant Pancit Canton and romanticized the idea of a candle-lit eighteen-peso breakfast, the radio crackled news of what was happening out there. You know the works: statistics, traffic reports, news from affected neighboring provinces, forecasts, commentaries, statements from officials, number of families displaced, number of people missing, number of people dead. I finished a Hemingway – one of his worst, but his worst is still better than most others’ bad novels – while waiting for the rain to subside, and for electricity. Hours passed. More candles were lit. A magnificent boredom ensued. When night came, the dark grew more treacherous. You opened your eyes and you saw the same thing as when your eyes had been closed: blackness, with tiny, almost imperceptible moving grains, like people in a rally.

I woke up Sunday morning still not knowing how lucky we were. Heavy rain still beat the crap out of our area. At eleven in the morning, still without electricity, my cousins, siblings, and I all decided to troop to a friend’s house in Barangay White Plains at the east side of Quezon City. We needed to charge our mobile phones; we were also to meet another cousin, Johnny, who was visiting from Los Angeles. The taxi ride on the way there made my knees weak. We passed through Quezon Avenue, Araneta, New Manila, Greenhills, Santolan Avenue, EDSA, and Katipunan. There was always mud; it was either black or brown. At E. Rodriguez Avenue, there was an ongoing operation; it seemed that the floods had displaced the community of squatters who used to live by the creek below. My brother Josemaria took pictures: debris litter everywhere, plastics, fallen trees, car parts, piles and scraps of wood and iron sheets from houses ravaged by the storm, men carrying things, trying to sort out what looked to be a hopeless disorder, women weeping, waiting. Again on the radio, something was said about a month’s worth of rainfall having poured down on Manila in six hours; something about Ondoy leaving eighty percent of the city under water; something about Cristine Reyes, the actress who had posed for FHM and whom I had previously not heard of, seeking refuge and waiting to be rescued from the top of her roof in Marikina City, an eastern Manila suburb, while cars were swept away and commuters waded through flood waters or hung calamitously onto car tires and telegraph wires and feeble branches of trees.

“The traffic yesterday was unbelievable,” Lourdes, my sister, said. She had earlier that morning come home from her office in EDSA Central Station – how exactly, I didn’t know – in time to join us. “EDSA Santolan was an ocean. Even Arroyo was forced to take the MRT to Camp Aguinaldo, or so I heard. The trains were packed. Infinitely worse than Spanish sardines in a can.” Eugene, my cousin who works in Cavite, a province just thirty kilometers outside of Manila, knew perhaps just how unbelievable and infinitely worse it had been. It took twelve hours to get from his office to our house in Quezon City. “From one in the afternoon to one in the morning,” he said. “The bus didn’t go for stopovers, man. No food, no drinks, nothing. Twelve hours! Shit, I could have gone to Tuguegarao to see grandma.” We did not hasten to correct Eugene that Manila to Cagayan took thirteen hours by bus, because that ride would have had three stopovers.

At White Plains, more stories were told. A taxi driver’s brother had no way to get home and so he walked from Ayala Avenue to Monumento – the equivalent of eleven MRT stations and about fifteen kilometers. A treadmill floated its way to a cousin’s friend’s house in Fairview; this same cousin's friend's new Nissan Pajero floated out. The elegant two-storey home of the Ortiz family – friends of father – in Santa Mesa Heights, and where I used to spend Sunday afternoons drinking coffee and writing and reading, was submerged in water; Mr. and Mrs. Ortiz are in Australia; their driver and his family, who had all looked after the house, managed to swim their way to safety. Once my mobile phone was charged, a message came in. It was from my friend Pong who was making sure my family was all right. Heroes Hills, the Quezon City subdivision where he lives, I heard wasn’t spared, either. When I began asking other friends and relatives where and how they were, Teresa, a colleague of mine, told me that she was accepting donations for a new house and a new car. Kirby, meanwhile, a writer friend based in New Manila, contemplated making use of his inflatable raft. “Sister’s in New York. Brother and mother are on their way to Prague. Father is going to Hong Kong. Me? Stuck at home, writing about cars and watching reruns of How I Met Your Mother… In-fucking-sane… Flood has subsided somewhat, though, and I don’t see rats floating around anymore.”

At the absurdity of it all, my cousins and siblings and I, we sometimes laughed; inside, we wept. Not because we were lower- to middle-class, but because our tragedy was our privilege, our unscathed survival, our presences at a place where we were blessed with an occasion to grow even closer to people who were already as fundamentally close to us as people can get close to people. How can one worry about the scars of romantic infidelities when someone out there was clinging to a nylon frigging cord for his life? How awful was it to attend to business backlog and unread E-mail while bodies were drifting away from loved ones and towards mere statistical existence? And how shy-making to be given chocolates from America when these should stain the sweet teeth as brown as the city streets have been rendered by the bitter sludge. Love is love and fun is fun, but we mourn quietly when our people die. I, for one, reconfigured my brain and jettisoned all literary reflections on why E.B. White would do such a thing as to viciously parody Across the River and Into the Trees.

As of this writing, a total of two hundred forty people have been confirmed dead. Half a million had been displaced; close to three hundred seventy-five thousand have been relocated to over two hundred evacuation centers and makeshift shelters. Twenty-five provinces have officially been declared as being under a state of calamity. Two more tropical depressions are threatening to hit the country. And, according to government audits, the entire national emergencies fund of 800 million pesos – plus a preposterous augmentation worth 120 million pesos – has been exhausted on Gloria Macapagal-Arroyo’s frequent trips abroad, a ‘miscellaneous’ item from which includes the alleged Imeldific $20,000 dinner at Le Cirque in New York.

Let us not wait on the Philippine government. To all those who wish to donate or volunteer, I direct you to this Google page for Help for Ondoy Victims, where you will find an aggregated list of news resources, information on rescue operations, and verified online and bank accounts accepting monetary and in-kind donations for disaster relief efforts. I also implore you to give my mother your happiest birthday greetings, under the circumstances. Mrs. Maria Editha Bassig is now fifty-nine, and I love her very much indeed.

Always

I listen to K.D. Lang’s “Always” as it plays during the end credits of HBO’s Normal. I have seen the movie before – Velvet has run it several times in the last few weeks – but it’s the first time that I hear the song; in fact, it’s the first time that I have heard of the song, which was written by Mr. Irving Berlin. (My ignorance astounds me.) It is close to two o’clock in the morning and everybody else here on our street is probably asleep, the rain has stopped, the dogs out in the garage are snoring, all else is soft and quiet, my ice cream cup that I filled and refilled is decidedly empty and resting on the glass top of our coffee table in the living room, and, listening listening listening to the song, to the piano, to the marvellous voice, to the sobering beauty of it all, I feel a sudden sadness that I cannot quite describe, a sad longing perhaps, to be slightly more precise, as I cannot despite my best efforts at writing be perfectly precise about it. All I know is that it makes me sad. I imagine snow, which of course I have never experienced. I imagine a white city, which must be New York, or some other place with a lot of white people in it and where they speak without accents. And I imagine walking by myself on a street that’s thick with cakes of snow and strong with sentiment; I am looking at lampposts, at shop windows, at quiet orange-lit cafes and bright mom and pop stores, like the grocer’s, like the baker’s, and at people on the same side of the road as I am but going the opposite direction, carrying briefcases. It’s that lovely time in the evening between sunset and eight o’clock, if the sun sets before eight o’clock, and if its setting can be seen at all. I am on my way to dinner and someone, I think or at least hope, is waiting for me. Someone I do not know but could, and would. There’s promise of red wine later in the night. I feel love, too, yes, that thing, and I feel it in the vague yet veritable way that we often feel it. It’s a very strong and powerful feeling and it comes to me by an odd train of thoughts and imaginings that I cannot possibly have experienced in my life, and which I know I never will experience until I cease this softening of standards to which I have found myself damnably prone. I don’t mean to sound too affected; it’s just that the advice given me once by a priest – well, an ex-priest – has come to mind. “Set standards for yourself,” he had said, “but not for others.”

My father, who is sleeping upstairs, bless him, oh my dear father, he used to often play music like this in his red Corolla back in the day, when I was a lot younger – I mean to say before 1997, that bad year – and since then this feeling has attacked me many, many, many times, and what else should I do about it but take it in? I am not good at resisting sadness, particularly the kind caused by a song.

The text crawling across the black screen means not a thing to me, but I am left misty-eyed once the last of it has gone.

Neighbor

JR, or something like it, although we used to call him ngongo, I see has gotten rid of his harelip, probably miraculously. Meanwhile the boy who used to pretend not to court Karen, but was courting her anyway, and if he had succeeded it would also have been miraculously, is almost a man now with gym muscles and cocky and rather defensive stares. Inday, a generic name, but which I use here to refer specifically to the bleached lady with a Visayan accent who was once Joshua, Jerome, and Janine’s nanny, is flirting away these September evenings with the aforementioned two in the way that only triangles can flirt. Same old, same old. We mix and mingle with the same old people, and they are only as refreshing and young as when we first knew them.

However, it must be said that the man who tends the sari-sari store of the former model (allegedly stunning in her youthful prime) at the corner of our street, Labo Street, where JR, Inday, and Karen’s former suitor hang out, is new – is recently employed. He uses a real calculator. He doesn’t know how much a San Mig Light is, and, a more obvious sign of his being new to the neighborhood, he doesn’t know who Manong Ed is. Manong Ed! The man who had led the construction of Labo Astro before the lot was sold, the basketball court where boys and men from other streets spent their afternoons. Manong Ed, whose wife taught basic Christian doctrine to children and gave them inexpensive chocolates. Manong Ed who smokes and sips coffee in the mornings on a flimsy and occasionally damp wooden bench outside our house.

“Who?” the man had asked, not trivially but curiously, when, two nights ago, I slipped on father’s sandals and walked to the store to buy beer. Mother doesn’t sell alcohol, you see – and maybe that’s because she doesn’t drink it. I did not bring empty glass bottles, because I trusted that I would incur no ‘deposit’ charges. People here know where people live, and, if I have to return things, people can ask me any time.

“Manong Ed,” I said. “I am Manong Ed’s son. We’re on sixty-three?”

“I’m new,” the man said, more shyly this time, more apologetically, as though it was indecent to be new. He scratched the top of his baseball hat. He wore denim shorts and a black shirt, with something red printed on it: it could easily have been the name of a nineties rock band. “My boss said to charge everyone for deposit, so I have to charge you for deposit.”

An additional three pesos was the rate for each bottle. Behind him, between assemblies of canned sardines and one-peso chips and jars of cigarettes that can be bought per stick (or tingi, as people call it), was a curtained doorway, one which presumably led inside the former model’s house. Behind that curtain, which was lace and swayed, I saw her face. Pale cheeks, full lips, long black ponytailed hair, the sharp nose of a mestiza, and a blessed jaw. Just appropriately beautiful for what was easily shaping up to be a forgettable evening. By ‘appropriately’ I mean not too shockingly, although I’d never really seen the woman up close. Just seconds-long glimpses, whenever she got out of the car and opened the gate, whenever she opened the gate and got into her car, whenever she hung wet clothes on a steel wire at the balcony. I do know that she is Hazel’s mother, and that Hazel had studied in Saint Theresa’s College where my close high school friend, Triggy, met his first girlfriend, or one of his first girlfriends. “If you think Hazel is pretty,” my cousin FJ said to me when I was a teenager, as we drank from a pack of water after a pickup game, “you should see her mom.” That made the former model officially mysterious. At the time, however, being so young, I was very unsure of what it was I wanted and was thus curious about other things.

“Hang on a second.”

The man went inside and consulted her. They said nothing that I could hear properly. He came back with a blank piece of cardboard, torn from somewhere by hand and frayed hairy at the edges, a cardboard made from a Marlboro pack, and on this he wrote the amount of money I had to pay and the amount that I’d be able to claim once I returned the bottles. His boss, the former model, Hazel’s mother, the lady behind the lace curtain, spoke from where I could not see her. “No cardboard, no cash out.” I contemplated the candy jars. Why should good-looking women have to be so intimidating?

Walking back, a fierce black dog on a leash barked at me as though I was a stranger. It must be owned by the man who now lives in the house where Ronnie used to live, Ronnie who used to drink with father in our house, which used to be a young and merry house indeed. It was a nice enough evening with moonlight and stars and the breeze was mild. No more rain. It would have been perfect, I thought, if only someone let me in on things once in awhile.

Pauper and Pen

It is four in the morning on the seventeenth of September as I write this. I am finally back after a short break. By “short” I mean a little over two weeks – or maybe it’s closer to three weeks. I did not feel as horrible as I did when last year I did not write anything for two, three, four months, although – don’t get me wrong – I still felt horrible. This time, however, I have an excuse that may be considered legitimate. I was at an international conference held here in Manila. Well. Don’t be too impressed by “international”; I only took notes, the way stenographers do, but not verbatim, just key points and perhaps the occasional newspaper-friendly sound bite. You may describe the notes as minutes and reports of meetings and panel discussions. A “rapporteur”, my appointment was called. Very French, but don’t be too impressed by that, either. What matters is I like taking notes, and that for once I got paid for it.

I mean to say that I will get paid for it – and by the government, too. Which should explain the delay. Normally, freelancers are paid on or before completion of the project, but I’m not too worried. Anyway, last I heard the check was with former mayor of Manila, Lito Atienza. At the sessions I had counterparts assigned by him, or by someone assigned by him, middle-aged ladies with gray blazers, old-fashioned hairstyles, motherly twangs, and papers and pens. They didn’t type. They wrote. They, like anyone working for the Philippine government, were subject to ridicule, to self-consciousness-provoking murmurs, to accusations of power abuse, and to a sort of fundamental unkindness championed mostly by the secretariat team of which I was part. On the last day, one of the women in one of the sessions lost her seat after a fifteen-minute coffee break. She harassed a delegate from the United Nations – “What is your name? That’s our table! Who do you represent?” – and would not give up her cause. It was embarrassing and it was distracting. I put my recorder on pause, shoved a bunch of envelopes to one side, moved my laptop computer to clear a little space on the table, and said, “Ma’am, there’s room here. Just put your bag under the table.” She relented and I never was thanked for it.

Cory Aquino’s death seems to have had the curious effect of ushering in a sort of new diplomacy here, regardless of agendas. Mr. Mar Roxas shelved his presidential aspiration to give way to Mr. Noynoy Aquino. The film industry has shown support for local filmmakers’ excruciatingly neorealist entries to festivals abroad, no matter that, really, we don’t need to put out any more poverty porn. Even Nykko, bless him, my photographer friend, took time to catch up with me at the conference, and even snap a few shots, compromising his coverage duties and reliable brilliance just so he could feed my vanity. Diplomacy. One can feel it; it’s in the air. When a lady, therefore, loses her seat, no matter how pregnant you are with rebellion against the office for which she works, no matter that her bosses, as my colleagues would argue, ask ruthlessly for far too much for what they are paying, no matter that they haven’t yet even paid, and that the conference organizers had to shell out about a million pesos out of pocket, you offer her a seat – even if it’s next to you.

Just a few minutes past midnight, my brother’s bedroom door creaked open to reveal the bleary-eyed twenty-eight year-old. “Happy birthday,” I greeted Francis. He was about to go pee. I was making coffee. “I’m too poor to give you a gift, but at least I’m the first one to greet you today.” He smiled a brotherly smile, the kind that makes me think of how he looked like when he was young, and I younger, and of days when we used to imitate Axl Rose’s vocal stylings by way of stroking Adam’s Apples. The Smart Bro USB Prepaid Kit would have been ideal; he can carry the finger-sized device wherever he wishes to go, plug it into his Netbook, and shun those ridiculously overpriced Wi-Fi cards sold at coffee shops and hotels. He would as enthusiastically have welcomed a DVD collection of Ultimate Fighting Championship matches. Or I could have given strings for his RJ Folk acoustic guitar, a bamboo-made vagina ashtray to match his penis-shaped one, a silk necktie for his first day on the new post-layoffs job, maybe the promise of a home-cooked meal or a case of San Miguel beers – anything, and he would have been pleased, even if only diplomatically. Alas. My financial situation is also excruciatingly neorealist.

Now, will you excuse me – didn’t I just say we don’t need any more of it? It’s morning and breakfast can be smelled. I’ll sign off for now, lest more pour forth.

We Don't Study the Weather

My new good friend is Rain, an author and an accounts director for a Manila-based advertising agency. Last weekend he told me, while we were on the subject of beautiful things, that he had once spent Christmas at the Alps. With nuns. And that there he had watched a horse drawing a sleigh on ice. “I mean literally,” he said. “A one-horse open sleigh! I was like, ‘Who needs a man?’” Never having experienced snow my whole life, I responded, “Was it really that beautiful?” Rain confirmed it was really that beautiful.

We were at the corner of Tomas Morato and Scout Rallos in Quezon City, seated at an alfresco table in Kalye Juan and peeling the labels off our bottles of San Miguel. It was six in the morning. We wore jackets; mine was a seven-year-old Reebok windbreaker and Rain slipped on something more fashionable. Rain continued to pour, but not as heavily as it did two or even three hours earlier, when I had to take off my soggy shoes and strap a borrowed pair of sandals to my feet. Over the sky spread clouds in various shades of gray and white, with scant rays of sunlight bursting through them. There blew a rather chilly wind, and this lent our view of street cafes, bars, small commercial buildings, pizzerias, lampposts, and cobbled sidewalks a grainy grayish haze, the kind that seemed to make the avenue stretch wider and the edges of things, smoother. Now and then Rain and I stopped talking in order to simply observe the scene before us, but the presence of a stocky man who had emerged from inside the restaurant and stood smoking two feet from our table made me stop taking pictures with my mobile phone camera.

“This is lovely,” my companion said. “I still prefer rain over snow – especially when the raindrops fall on a window pane. If the weather stays the same, if it continues to rain like this, I won’t mind one bit. Or I’ll mind only the street floods.”

I almost agreed, but what did I know about the weather. Two months ago, while in Baguio, the Philippine City of Pines and the place north of Manila where Rain is from, I spent several days and nights kept in a creaky inn with a bottle of strawberry wine to drink and a battered packet of cigarettes to smoke. Unfailingly, by noon, the harsh cold would rouse the smell of stale lunch. It was off-season and the downpour was relentless. I had waited impatiently for the rain to stop, to please stop, so that I could go to Mines View Park, come upon its sweeping overlook, then shop for key chains and peanut brittle, amble along Session Road, go to Star Café, and slip quietly perhaps into a random tavern on acoustic night. But the wetness, the grayness of Baguio on that trip, the sadness of pine trees looming like ghosts outside my window evoked deceptive comparisons between the city and one’s idea of a slag heap, or of an all too plain Welsh mining village. Deceptive, since I had gone to Baguio because it has always been beautiful.

“Do you pine?” I asked Rain. We were both still surveying Tomas Morato on a drizzly Saturday morning.

“You mean like now, seeing this? No, I don’t. Never.”

“Really? I do. All the time.”

“You pine for someone.”

“Oh, no,” I answered. “I’m all right alone, I think. I’m not even sure ‘pining’ is the word, but a composition like this, for example, I want to grab it, write it, photograph it, film it –”

“Paint it,” he added. Rain then began to tell me all about a play he’d gone to in Paris. The stage had been designed to coincide with the space of the audience. The set had aisles and seats that faced, like a reflection in a mirror, the theater aisles and seats. The number and seating arrangement of the actors corresponded with the number and seating arrangement of the spectators. “If there were fifteen people in the audience,” Rain explained, “there’d be fifteen actors.” These actors mimicked everything the spectators did. Gestures, appearances, expressions. Rain laughed throughout the hour-long play, and the actor directly in front of him, he said, imitated his laughter. There was no plot, no interlude, no unexpected departures from this carefully constructed symmetry.

We stayed for a little while at Kalye Juan watching the rain pour. We listened to the soft sound of pitter-patter on asphalt. “I know you should be sleeping,” I said, raising a half-empty bottle, “but cheers.” At one point a street kid approached and stared at our leftover beef salpicao and pork cracklings. “Sirs,” he muttered. Rain pushed the plates forward so the young boy could scrape off the morsels of food and stuff these into a plastic bag. “Don’t worry,” the boy assured us. “I’ll cook my own rice.” And then he went on his way. To where exactly, it remains a mystery. What do I know about the weather, and what do I know about beautiful things.